Cairo Pentagons in Shades of Green
by Steve Terry
10” x 10” x 2”
This shallow bowl is done in shades of green. It is an exercise in geometric Cairo pentagon tiling. The pattern of geometric tiles produces a visual three-dimensional effect, and the color value of the shades of green enhances the effect. It is produced by cutting only squares of sheet glass, then stacking, firing, and coldworking to a satin finish. The pattern reflects pentagons in some crystals—a favorite pattern of M.C. Escher.
Artist Statement:
The Book of Nature has always greatly inspired my glasswork. It reveals geometric and visual patterns found all around us in nature. These patterns reflected in glass can produce objects that are pleasing and gratifying. Applying glass's physical laws and properties, primarily when driven to high temperatures and guided by an idea, never fails to surprise and inspire me. How glass behaves under these conditions is a constant wonder and fascination. In my work, striving to reflect these laws of glass has allowed me to deepen my understanding of glass as a medium and its intersection with nature.
My journey in glass has been a constant source of surprise and revelation. I often start a project with a clear idea, only to have glass assert its laws, either modifying my initial concept or replacing it entirely. This unexpected turn always leads me into a state of quiet reflection, a process that I find both intriguing and engaging. Many of us can relate to this journey, the unexpected twists and turns leading to new discoveries and growth.
by Steve Terry
10” x 10” x 2”
This shallow bowl is done in shades of green. It is an exercise in geometric Cairo pentagon tiling. The pattern of geometric tiles produces a visual three-dimensional effect, and the color value of the shades of green enhances the effect. It is produced by cutting only squares of sheet glass, then stacking, firing, and coldworking to a satin finish. The pattern reflects pentagons in some crystals—a favorite pattern of M.C. Escher.
Artist Statement:
The Book of Nature has always greatly inspired my glasswork. It reveals geometric and visual patterns found all around us in nature. These patterns reflected in glass can produce objects that are pleasing and gratifying. Applying glass's physical laws and properties, primarily when driven to high temperatures and guided by an idea, never fails to surprise and inspire me. How glass behaves under these conditions is a constant wonder and fascination. In my work, striving to reflect these laws of glass has allowed me to deepen my understanding of glass as a medium and its intersection with nature.
My journey in glass has been a constant source of surprise and revelation. I often start a project with a clear idea, only to have glass assert its laws, either modifying my initial concept or replacing it entirely. This unexpected turn always leads me into a state of quiet reflection, a process that I find both intriguing and engaging. Many of us can relate to this journey, the unexpected twists and turns leading to new discoveries and growth.
by Steve Terry
10” x 10” x 2”
This shallow bowl is done in shades of green. It is an exercise in geometric Cairo pentagon tiling. The pattern of geometric tiles produces a visual three-dimensional effect, and the color value of the shades of green enhances the effect. It is produced by cutting only squares of sheet glass, then stacking, firing, and coldworking to a satin finish. The pattern reflects pentagons in some crystals—a favorite pattern of M.C. Escher.
Artist Statement:
The Book of Nature has always greatly inspired my glasswork. It reveals geometric and visual patterns found all around us in nature. These patterns reflected in glass can produce objects that are pleasing and gratifying. Applying glass's physical laws and properties, primarily when driven to high temperatures and guided by an idea, never fails to surprise and inspire me. How glass behaves under these conditions is a constant wonder and fascination. In my work, striving to reflect these laws of glass has allowed me to deepen my understanding of glass as a medium and its intersection with nature.
My journey in glass has been a constant source of surprise and revelation. I often start a project with a clear idea, only to have glass assert its laws, either modifying my initial concept or replacing it entirely. This unexpected turn always leads me into a state of quiet reflection, a process that I find both intriguing and engaging. Many of us can relate to this journey, the unexpected twists and turns leading to new discoveries and growth.
Other works by Steve…
